D’Angelo was born Michael Eugene Archer, on 11th February 1974, in Richmond, Virginia, and grew up in a musical family immersed in the gospel traditions of the Pentecostal church. His father, a preacher, and his mother, a church singer, encouraged his early interest in music, and he began learning piano at a young age. Deeply influenced by the records of Prince, Marvin Gaye, Al Green, and Stevie Wonder, he developed a fascination with soul and funk that shaped his musical identity. By his teens, he was writing songs, performing locally, and earning a reputation as a gifted prodigy with an instinctive sense of groove and harmony.
In the early 1990s, D’Angelo moved to New York, where his songwriting began to attract professional attention. He first gained notice when his song “U Will Know,” written for the all-star R&B project Black Men United, became a hit in 1994. That same year, he signed with EMI Records and began recording material that fused classic soul with hip-hop rhythm and a modern sensibility. His debut album, Brown Sugar, released in 1995, established him as a leading voice in the emerging neo-soul movement. The album featured songs he wrote or co-wrote, including “Lady,” “Cruisin’,” and the title track “Brown Sugar,” which displayed his sensual lyricism, layered harmonies, and rich, jazz-inflected chord structures. The record’s success placed him among artists such as Erykah Badu and Maxwell, who were redefining contemporary R&B through organic instrumentation and introspective songwriting.
After several years of touring and sporadic studio work, D’Angelo returned in 2000 with Voodoo, an album that deepened his reputation as a visionary composer and performer. Recorded with members of The Soulquarians collective, including Questlove, James Poyser, and Pino Palladino, the album explored loose, live-in-the-room arrangements and complex rhythmic interplay. D’Angelo wrote and co-wrote most of the songs, such as “Devil’s Pie,” “Send It On,” and “The Root,” combining raw emotional vulnerability with intricate production. The single “Untitled (How Does It Feel)” became a cultural phenomenon, its intimate video amplifying his mystique but also exposing him to intense media scrutiny. Despite its success and a Grammy Award for Best R&B Album, the attention led him to retreat from the spotlight.
For over a decade, D’Angelo remained largely absent from public life, struggling with personal challenges but continuing to compose privately. His reemergence came in 2014 with Black Messiah, an album that reasserted his artistry and political consciousness. The record, featuring songs such as “Really Love,” “The Charade,” and “Sugah Daddy,” reflected a matured perspective on love, identity, and social unrest. His songwriting blended funk, rock, soul, and gospel into a dense, textured sound that echoed the urgency of the times while reaffirming his mastery of groove and harmony.
D’Angelo’s talent lay in his ability to bridge past and present, channeling the spirit of classic soul through an experimental, deeply personal lens. His compositions revealed an intuitive grasp of rhythm, mood, and silence, often conveying meaning through phrasing and feel rather than explicit statement. As a performer, he possessed a rare combination of technical skill, emotional honesty, and spiritual intensity that made his live performances immersive experiences. His influence extended beyond genre boundaries, inspiring a generation of R&B and hip-hop artists to value authenticity, musicianship, and sonic experimentation.
In the history of popular music, D’Angelo stood as one of the most innovative and elusive figures of his era. His relatively small body of work exerted an outsized impact, redefining the possibilities of modern soul and restoring depth and artistry to contemporary R&B. His legacy rested not on commercial abundance but on the rare unity of craft, conviction, and vulnerability that marked his finest songs.
D'Angelo died on October 14th 2025, in New York City, USA, at the age of 51, from pancreatic cancer.
The above is just one of the many profiles of leading songwriters, singers, musicians and music industry personnel, published by the International Songwriters Association and "Songwriter Magazine". Please click HERE for more.
© Jim Liddane
Copyright Songwriter Magazine, International Songwriters Association & Jim Liddane: All Rights Reserved
The Main Menu

ISA • International Songwriters Association (1967)
internationalsongwriters@gmail.com
The Small Print
This International Songwriters Association 1967 site is a non-profit non-commercial re-creation of portions of the full site originally published by the International Songwriters Association Limited, and will introduce you to the world of songwriting. It will explain music business terms and help you understand the business concepts that you should be familiar with, thus enabling you to ask more pertinent questions when you meet with your accountant/CPA or solicitor/lawyer.
However, although this website includes general information about legal issues and legal developments as well as accounting issues and accounting developments, it is not meant to be a replacement for professional advice. Such materials are for informational purposes only and may not reflect the most current legal/accounting developments.
Every effort has been made to make this site as complete and as accurate as possible, but no warranty or fitness is implied. The information provided is on an "as is" basis and the author(s) and the publisher shall have neither liability nor responsibility to any person or entity with respect to any loss or damages arising from the information contained on this site. No steps should be taken without first seeking competent legal and/or accounting advice
Some pictures on this site are library images supplied by (amongst others) the ISA International Songwriters Association (1967), International Songwriters Association Limited, Dreamstime Library Inc, BMI (Broadcast Music Inc), ASCAP (American Society Of Songwriters, Authors and Publishers), PRS (Performing Rights Society), PPS (Professional Photographic Services), RTE (Radio Telefis Eireann) TV3, and various Public Relations organisations. Other pictures have been supplied by the songwriters, performers, or music business executives interviewed or mentioned throughout this website, while certain pictures are commercial stock footage of businesses and office environments generally, rather than specific images of the ISA, its personnel, facilities or members.
In any event, all images are and remain the property of the individual owners unless indicated to the contrary.
Home •
Interviews •
Writing A Song
|