Steve Cropper Obituary • International Songwriters Association (ISA)

International Songwriters Association
Founded 1967

Home Interviews Writing A Song Obituaries

International Songwriters Association



Steve Cropper



Steve Cropper was born Steven Lee Cropper on 21st October 1941 in Dora, Missouri, and spent his boyhood in Memphis, where the energy of the city’s blues, gospel, and early rock ’n’ roll shaped nearly every aspect of his musical imagination.

He learned guitar as a teenager and formed friendships with other young players who shared his passion for rhythm-and-blues, eventually helping to establish the Royal Spades, the band that evolved into the Mar-Keys. Their instrumental hit “Last Night” brought them early success and drew the attention of the fast-growing Stax Records.

Steve became an indispensable figure at Stax. He joined Booker T. & the M.G.’s, the label’s house band, who created a distinctive, sharply defined sound built on tight grooves, economic phrasing, and understated virtuosity. Their breakthrough track, “Green Onions,” introduced Steve’s clipped, precise guitar work to a global audience and defined a new vocabulary for soul and R&B guitarists.

At Stax headquarters on McLemore Avenue, he also became a staff songwriter, producer, and arranger, working with an extraordinary roster of artists who relied on his calm authority, quick instincts, and deep understanding of Southern soul.

His writing partnership with Otis Redding yielded many of Redding’s most enduring songs. He co-wrote “(Sittin’ On) The Dock of the Bay,” shaping its reflective tone, melodic clarity, and subtle rhythmic pull. He also collaborated with Redding on “Mr. Pitiful,” “I Love You More Than Words Can Say,” and “Fa-Fa-Fa-Fa-Fa (Sad Song),” each displaying Steve’s instinct for crafting concise, emotionally resonant material.

His compositions extended across the Stax catalogue: Wilson Pickett recorded his co-written hits “In the Midnight Hour,” built on Steve’s memorable stabbing guitar figure, and the explosive “634-5789 (Soulsville, U.S.A.),” which became one of Pickett’s signatures. Steve also contributed as writer or arranger to tracks by Sam & Dave, Carla Thomas, Eddie Floyd, and many others, creating material whose rhythmic discipline and melodic immediacy became synonymous with the Memphis sound.

Beyond songwriting, he developed a reputation as one of the most tasteful and reliable guitarists of his era. His playing avoided excessive ornamentation in favour of short, perfectly judged lines that locked tightly with the rhythm section and heightened the emotional intensity of the vocalists he supported.

His work with Booker T. & the M.G.’s produced numerous albums and instrumental hits, consolidating their role as an essential bridge between Black and white musicians in the American South during a period of profound social tension. Steve later expanded his reach by joining the Blues Brothers band, both in performance and on film, bringing his musicianship to a far broader mainstream audience.

Over subsequent decades he continued producing, writing, and recording, collaborating with artists across genres, including John Lennon, Ringo Starr, Rod Stewart, Tower of Power, and many others who sought his distinctive blend of precision, restraint, and rhythmic intelligence. His later solo albums reflected his lifelong devotion to groove and feel, while his touring and session work kept him at the centre of American roots music.

Steve Steve’s talent lay in his rare ability to combine technical subtlety with emotional directness. He understood how to serve a song, never allowing flashiness to intrude on feeling, and his unerring sense of placement made even the simplest guitar phrase unforgettable. His songs distilled the essence of soul music: concise, heartfelt, grounded in lived experience, and propelled by rhythm.

In the larger history of popular music, he stands as one of the defining architects of the Stax sound and one of the most influential guitarists and songwriters in American musical culture, leaving a legacy that shaped generations of performers and continues to resonate in every corner of contemporary rhythm-and-blues.

International Songwriters Association Hall Of Fame Member.

Steve Cropper died on the 3rd of December 2025, in Nashville, Tennessee, USA, at the age of 84, following a fall.

© Jim Liddane

Copyright Songwriter Magazine, International Songwriters Association & Jim Liddane: All Rights Reserved

This is just one of the many profiles of leading songwriters, singers, musicians and music industry personnel, published by the International Songwriters Association and "Songwriter Magazine". Please click HERE for a full list.

The Main Menu



ISAInternational Songwriters Association (1967)
internationalsongwriters@gmail.com


The Small Print

This International Songwriters Association 1967 site is a non-profit non-commercial re-creation of portions of the full site originally published by the International Songwriters Association Limited, and will introduce you to the world of songwriting. It will explain music business terms and help you understand the business concepts that you should be familiar with, thus enabling you to ask more pertinent questions when you meet with your accountant/CPA or solicitor/lawyer.

However, although this website includes general information about legal issues and legal developments as well as accounting issues and accounting developments, it is not meant to be a replacement for professional advice. Such materials are for informational purposes only and may not reflect the most current legal/accounting developments.

Every effort has been made to make this site as complete and as accurate as possible, but no warranty or fitness is implied. The information provided is on an "as is" basis and the author(s) and the publisher shall have neither liability nor responsibility to any person or entity with respect to any loss or damages arising from the information contained on this site. No steps should be taken without first seeking competent legal and/or accounting advice

Some pictures on this site are library images supplied by (amongst others) the ISA International Songwriters Association (1967), International Songwriters Association Limited, Dreamstime Library Inc, BMI (Broadcast Music Inc), ASCAP (American Society Of Songwriters, Authors and Publishers), PRS (Performing Rights Society), PPS (Professional Photographic Services), RTE (Radio Telefis Eireann) TV3, and various Public Relations organisations. Other pictures have been supplied by the songwriters, performers, or music business executives interviewed or mentioned throughout this website, while certain pictures are commercial stock footage of businesses and office environments generally, rather than specific images of the ISA, its personnel, facilities or members.

In any event, all images are and remain the property of the individual owners unless indicated to the contrary.

Home Interviews Writing A Song